In Bruges

In Bruges

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Has anyone seen this film? It is a black comedy of sorts, it is one of those independant films that stand out from the rest that i jsut love. Directed by a brilliant English director and terrific Irish/ English/ Belgian cast.

Here is part 1 on youtube
http://www.youtube.com/watch?v=XVtzM8za53Q

Here are some of my favourite scenes

http://www.youtube.com/watch?v=QPuxPhPUwjk
http://www.youtube.com/watch?v=GpVHSA5DWEI

I really think this film deserves so much more recognition and views than it got for being so original.
 
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Top 10 movie, and top 5 comedy for me. Probably somewhere 3-4.


What a great movie. I watched it with some friends at college, and I was the only one that absolutely loved it. Great lines throughout. great plot.


And any movie that includes Bosch is a great one in my book.


It really deserved to win an Oscar last year for best original screenplay.
 
Yeah, Farrel was amazing. And the film had one of the weirdest mixes between black humour and pure drama (the end scene anyone)? Sometimes I didn't know whether to laugh or not. 'Twas great.
 
Martin McDonagh really outdid himself with In Bruges. You have to see some of his plays if you enjoyed this movie, I recommend The Cripple of Inishmaan. He does black comedy like no one else.
 
Good movie, but it bothered me to no end that all the Belgian characters were either francophone or from Brussels. That's like doing a movie set in New York with Mexican and Texan actors and accents to play the locals

Especially when West-Flemish is so beautiful :tongue:.
 
Ralph Fienes really made this movie for me. His character was just so perfectly bizarre :laughter:

"YOU'RE AN INANINATE OBJECT"
a few moments later
"I'm sorry dear, I didn't mean to call you an inanimate object"
 
Ralph Fienes really made this movie for me. His character was just so perfectly bizarre :laughter:

"YOU'RE AN INANINATE OBJECT"
a few moments later
"I'm sorry dear, I didn't mean to call you an inanimate object"

He made the movie for me, though there were excellent performances all round. Even the usually twattish Farrell was likeable.
 
The restaurant scene where Farrell fights the americans was awesome too.:laughter:
And of course the one with all of them snorting coke with whores was great.
 
Yeah, its one of my favourite films. Also happens to be one of the most quotable in recent years;"That's for John Lennon ya yankee :wub:in' :wub:!" "Two manky hookers, and a racist dwarf. I think I'm heading home."Gleeson was nominated for a BAFTA, iirc.
 
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I'm going to continue to extoll the virtues of Martin McDonagh!

06_mcdonagh_lg.jpg


http://www.variety.com/article/VR1117945753.html?categoryid=2185&cs=1 said:
That prodigal debut with "The Beauty Queen of Leenane," "A Skull in Connemara," "The Lonesome West" and "The Cripple of Inishmaan" was followed swiftly by tabloid notoriety, when he publicly told Sean Connery to ":wub: off" at an awards ceremony where he was named most promising newcomer.
He told Sean Connery to :wub: off, that takes balls. He was a bit drunk at an awards ceremony and refused to sing 'God Save the Queen'. Connery gave out to him about this, and McDonagh told him to ":wub: off" because he didn't like the hypocrisy of a Scottish nationalist telling a native Englishman how to handle the national anthem.
 
I was interested by all the Christian theming in the film. The subject of the film is the future of Farrell's character and the contest between Gleeson and Fiennes over the New Testament and Old Testament visions of justice in how he should be dealt with - whether he should be given a second chance for killing the child and set free to find redemption, or whether he should be met with an eye for an eye.

Gleeson risks all to appease Fiennes with non-violent resistance - he gets Farrell away to safety and then refuses to fight his old friend, turning away his anger with love - and then Gleeson plays Jesus by sacrificing himself to give Farrell a chance. Fiennes' says at the end, "always stick to your principles", and his unswerving Old Testament attitude ends up destroying him.

At the start Farrell is symbolically offered the blood of Jesus when Gleeson asks him to come with him to see a reliquary that supposedly bears some of Christ's blood on it (he refuses). Killing the child, which has supposedly damned him, was committed in a church as Farrell emerged from a confessional booth. And he ends the story contemplating the promise of Hell - whether or not it's like Bruges - and deciding that he wanted to live to find a chance for redemption, accepting the sacrifice that Gleeson made for him (like someone accepting Christ's sacrifice) after all despite his earlier suicidal ambitions.

I'm an atheist, but Christian or not I still especially enjoy any film that can embody a consistent sub-text like this throughout the length of the film without being heavy-handed and overwhelming the actual plot.
 
Impressive, did you find that out by yourself or read it somewhere?
 
It's what I saw in the film; I don't know if anyone else agrees with me. I suppose ultimately we'd have to ask the scriptwriter to know if he really intended it that way.

I agree, I noticed the similarities of the sacrifice. It was intentional I'm sure, the way his body is splayed on the ground.

The OT vs the NT is quite interesting though, I think you've got something there.:thumbsup2
 
Just watched it last night and loved it.It made me laugh out loud,which to few films make me do.Loved the bit in the restaurant
"Ah,a bottle"
Whack.
So many great lines in this film.
 

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