I bet a number of individuals emptied a wineskin and made it fart, then thought "how can we do that again, but make it sound worse?". It also gives the lie to Scots nationalists claiming kilts and bagpipes as their own.
Music belongs to the wind and I have never seen a song with a passport: at best they have temporary visas. IIRC Hava Nageila has a traditional Rumanian tune but what's Rumanian? As mentioned the Balkan traditions overlap like dropped spaghetti, and itinerant musicians (eg Jewish, Rom, Vlach) were all prominent in creation and dispersal. Likewise Rom, Jewish and North Africans in Iberia, the waves of Italian French and German music masters from the Early Modern to the 19th century, etc. and there's the complex of cultures feeding into modern popular music (eg African traditions meeting Hispanic and British and French to form Blues, Jazz etc). Jazz used to be played by black men in black brothels, now its played by white men in expensive clubs.
I've posted about Misrlou before, and the Don Dale connection is quite illustrative. He's a US citizen of Armenian descent playing a song first recorded in Athens by Constantinopolitan Hellenes in the Smyrnan dialect performed in a Levantine mode about an Egyptian girl, so what I'm saying is it's obviously Irish and I'll fight you.
Just going to leave this here in case some thinks I actually want to fight |
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Music, like food and fashion and national stereotypes are not naturally attached to some national territory. IIRC Polydore Virgil (a papal official in Tudor England) recorded that the English were all passionate and vain, giving to public kissing and flamboyant boasfulness, as opposed to the (then current) stereotype of reserved and tasteful Italians like himself: it amusing to see the reverse image of the 20th century truisms.