Hello All!
So I've been lurking around here and there, and felt like a post! Noticing that there's a top 10 guitarists thread (what a bunch a' no talent rejects, huh?), I thought I'd like to express my opinions on the top 10 drummers.
Now, before I start off, I'd like to say that I'd rate these drummers not just on skill, but 'creativity'. Most drummers listent to machine-gun speed and thing that is the end all for the mettle of a drummer; others thing that it's the technique, but a drummer's job is not only to keep time, but influence the course of play in any musical gathering. So let me start off!
10.) Max Roach- Love this guy! He's quite a unique drummer, and he's constantly breaking traditions, but I've gotta pee, so I can't write more. BTW thread title should read 10, typo.
9.) Glenn Kotche- I don't think that many drummers can brag about being able to recreate the Balanesian(sp?) dance of the Ramayana to near perfection! When not drumming for Wilco, Kotche, also a band teahcer, spends time making his own brand of interesting music. He's used springs, bells, and xylophones to produce remarkable songs (see CD Mobile.) Kotche infuses melody with percussion, something truly remarkable in drumming this day.
8.) Trilok Gurtu-Trilok has a history of music in his family. Both his parents were part of the Indian classical music genre in Mumbai (Bombay). His mother was a famous Sitarist, and urged his growth in music. Trilok has to me amongst the most innovative drummers I've ever heard. Possessing mastery over Latin, Indian, and Western drumming, he's managed to fuse all three into a beautiful creation. There's something very earthy about his playing style.
7.) Art Blakey-A revolution in the early Hard Bop genre. Blakey is one of the most recognized faces of the early Jazz movement. As a bandleader, he always had the ability to bring together a group and bring out the most from them. Thanks to him, numerous artists got a break; all this aside, Blakey is a powerful furious drummer. His solos always have some 'afrocentric' theme about them, perhaps furthered when he converted to Islam and changed his name to Buhaina. One thing certainly is that whenever you listen to a Blakey song, you'll always be able to tell if he's playing or not.
6.) Elvin Jones- It is very hard to picture "A Love Supreme" without the explosiveness of Jones. For a long time, it has been stereotyped that Jazz Drummers are all technique and no power; Jones, I think, blows this one right outta the water. Not only could he rip the set a new 'un, but he also managed to do all this while keeping PERFECT time with his band, and playing polyrhythms at the SAME TIME! Brilliance in execution, and brilliance in power!
5.) Bernard Purdie-The ability to cliam the title of 'most recorded drummer' is always quite a feat! Bernard Purdie off the set is just like his playing on it-charming, and always inventive. Beginning the drumming experience at a carnival, Purdie was always willing to push the mould, and as a result he never shyed away from playing in numerous different genres, be it Funk, Rock, Jazz, Soul, Blues...you get the picture. His trademark Purdie shuffle is always something that gets your feet moving.
4.) Steve Gadd-Funk drummer extraordinaire! Gadd is an underrated drummer (like Purdie) outside the drumming world, and inside the world of those who believe that technique and skill determine the drummer's quality. His grooves are nevertheless brilliant! He has a certain quality that no one will ever really be able to recreate.
Top 3, very touchy for me. It was quite a hard choice from here on, and understandibly, all three are interchangeable.
3.) Tony Williams-Williams first started playing music at the age of 16/17. Listening to those early Miles records, you can hardly tell this though. His playing is perfect! A prodigy! Genius! He played with an unreplicable charismatic power. He continued on, and like any good musician, he progressed into newer genres to express himself. His solos, nonetheless, are too chaotic at times. They've got a musicality, but the lack of structure can sometimes get to you. Other than that, his mastry of the polyrhythm, along with Elvin Jones, just makes the song he plays in that much deeper of an experience. Too bad he left so soon.
2.) Buddy Rich- A common complaint about the great Rich is that he had all speed and technique and no idea about beat and rhythm. This however is a very poor judgement of his ability. If you listen to his records, there is not one instance where he overpowers the band playing along. He complements every other performer, and when it comes time for his solo, he lets it rip! It was tough not making him No. 1, as so many others would do, but there's something that I feel he 'lacks'. He had the versatility, the power, the skill, and the finesse (see Brush Strokes video,) but his solos lacked a certain creativity and musicality. They were rather just a display of his awesome technique.
1.) Joe Morello- Now many would expect me to pick someone like Buddy Rich for the Number 1 spot. However, I think that Joe Morello deserves this spot more than any other. Morello is one of the most underrated drummers considering that fact; he was perfect for the Dave Brubeck Quartet. Each note he played had a purpose; each sound was carefully constructed, and brought out the true genius of Morello. In addition, his technical faculties can never be doubted. He possessed the power and speed necessary to produce a most exciting solo. All in all, Morello is the hallmark of drumming-flexibility, power, speed, and finesse.
Cursory mentions:
Danny Carrey (sp?), Mike Portnoy, Tim Waterson. Very good drummers, but I just can't 'feel' them in. Sorry.
Most overrated:
John Bonham, perhaps even Buddy.(will run to avoid the molten spew thrown at me for this.)







