I used to be a fully grown metal head, however as of late I have found my musical tasted developing. There are three reasons for this; - firstly I grew bored with the structure of metal I like, such as Bolt Thrower. Secondly I grew tired of the commercial aspect of much of the more mainstream metal, and thirdly I began to spend time with a different social group who exposed me to more varied styles of music.
I began to view the metal scene, with its stupid dyed hair and spiky trousers with growing disfavour. It seemed a stupid waste of money to purchase overly expensive items just to publicise your commitment to a particular style of music - a style which I had been growing increasingly wary of.
Probably the biggest influence on my aesthetic migration from metal was China Mieville's first book, King Rat. Amazingly written, it deals with a young Drum n Bass listener called Saul getting involved in a battle between King Rat, Anasi the spider God and a few others against the Pied Piper of Hamelin - with King Rat seeking to reclaim his throne by using Saul, and the Piper being able to control more than one type of creature by getting Saul's friend to mix his playing into Drum n Bass tracks.
Why did it influence me? It painted a picture of sounds with words. It describes a landscape of timbres and bass beats, or warbling trebles and of stomping boots. It was more than the sweaty lager fuelled ethos of Metallica or Slayer, it was the ethos of rebellion and of adolescent social culture. It tied in so perfectly with the theme of the book - one of betrayal and anger and of expectancy. It even went so far as to allow me to excuse Mieville's communitarianism for the moment.
So, I ploughed on, however the first tracks I listened to intently were such a jarring culture shock that I didn't find them attractive in the slightest. Instead I went by a roundabout root, through industrial music and future pop. I've been listening to wumpscut, VNV Nation and KMFDM.
Wumpscut are not so difficult to pin down. They're a German EBM/Industrial group with a personal favourite of mine (if only for its gall) "Soylent Green" containing audio samples from the German dubbed version of the film with the same name. Since its release in 1993, it has become a frequently played song at events and clubs in the gothic and industrial subcultures and its associated splinter groups, both in Germany and the United States. Probably their best song is "Wreath of Barbs". It has a slower pace than usual, melodramatic melodies, and a dark synthesised voice hauntingly following the music.
VNV Nation is slightly more difficult to describe. It lacks the bass beat of Drum n Bass, and is more focused around the lyrics - lyrics which deal with emotion and imagery far better than any metal song I have ever heard. They frequently deal with issues in a tone which I feel I can relate to far more than the Artic Monkey's whining about take away curries. For example to quote Joy:
Finally we come to KMFDM. They're about the furthest from Dragonforce that I can tolerate at the moment, with an aggressive lyrical style that at times reminds me as much of French rap as anything else. With a heavy, stomping beat their songs are universally threatening, from the mumbling of "Save Me", interrupted with occasional string flourishes, to the indignation of "Witch Hunt" and the call to arms of "Risen". The latter is my favourite track of theirs at the moment, as it most epitomises what I like about their work.Originally Posted by VNV Nation - Joy
Note that these are all my personal opinions, other people will surely disagree. Do you like this type of music, or do you prefer something else? Have your tasted changed with time? I'll try and get some samples up shortly.Originally Posted by KMFDM - Witch Hunt



