Eurabian Follies
The shoddy and just plain wrong genre that refuses to die.
BY JUSTIN VAÏSSE | JANUARY/FEBRUARY 2010
By 2050, Europe will be unrecognizable. Instead of romantic cafes, Paris's Boulevard Saint-Germain will be lined with halal butcheries and hookah bars; the street signs in Berlin will be written in Turkish. School-children from Oslo to Naples will read Quranic verses in class, and women will be veiled.
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At least, that's what the authors of the strange new genre of "Eurabia" literature want you to believe. Not all books of this alarmist Europe-is-dying category, which received its most intellectually hefty treatment yet with the recent release of Christopher Caldwell's
Reflections on the Revolution in Europe, offer such dire and colorful predictions. But they all make the case that low fertility rates among natives, massive immigration from Muslim countries, and the fateful encounter between an assertive Islamic culture and a self-effacing European one will lead to a Europe devoid of all Western identity.
Despite their Europe-focused content, these books are a largely North American phenomenon. Bat Ye'or (or Gisèle Littman), an Egyptian-born British author, wrote one of the first of the genre in 2005, with
Eurabia: The Euro-Arab Axis, which argued that political subservience to a Muslim agenda was turning Europe into an appendage of the Arab world. But most of her recent followers, including Caldwell, the jocular and hyperbolic Mark Steyn, the shallow Bruce Thornton, the more serious Walter Laqueur, and the high-pitched Claire Berlinski and Bruce Bawer, write from the other side of the Atlantic.
It's not that Europeans don't produce books in the same vein. Consider Italian journalist Oriana Fallaci's
The Rage and the Pride, a rabid attack on Muslim immigrants, or British columnist Melanie Phillips's
Londonistan, castigating the British left for handing over the country to the Muslim Brotherhood. Still, there is no real European version of the Eurabia panic, and the books that do exist tend to be country-specific, and part of a fringe far right. They do not dominate the market, while works by a range of serious scholars, including Italian sociologist Stefano Allievi's work on European Muslims, German cultural anthropologist Werner Schiffauer's studies of political Islam among Turkish immigrants, British sociologist Tariq Modood's
Multicultural Politics, and French political scientist Olivier Roy's
Globalized Islam, have offered important, data-driven analyses that undermine the facile dichotomies of the Eurabia myth.
But in the United States, the Eurabia books continue to proliferate even today, close to a decade after the attacks of Sept. 11, 2001, which triggered the genre. Part of the explanation lies in the post-9/11 narrative of America besieged by militant Islam -- a clash of civilizations in which Europe is the front line, threatened by internal subversion. "If Europe is unable to assimilate its immigrants, if Europe is a breeding ground for anti-Americanism and Islamic radicalism -- and it is -- this is our problem," Berlinski warns in
Menace in Europe (2006). "The threat of the radical Islamists taking over Europe is every bit as great to the United States as was the threat of the Nazis taking over Europe in the 1940s," Tony Blankley writes in
The West's Last Chance (2005). "We cannot afford to lose Europe."
In this sense, many of these books offer a variation on the conservative Cold War vision of Europe as vulnerable to the spread of communism -- only now, Muslims have replaced Soviets and Euro-communists as the enemies. The continuity in clichés with the Europhobic literature of the 1970s and 1980s is striking: In both periods Europe is described with terms like appeasing, impotent, asexual, feminine, post-nationalistic, irreligious, apologetic, self-loathing, naive, decadent, and so forth.
Clichés are not the only reason why the foundations of the Eurabia literature are shaky. By relying chiefly on anecdotes rather than data, these books misrepresent the complex evolving picture of Islam in Europe. They also eliminate social and economic conditions, including discrimination, from the picture. "There is considerably more phobia vis-à-vis Westerners and things Western than Islamophobia," Laqueur opines in
The Last Days of Europe (2007). Leaving out poverty and racism (which,
pace Laqueur, is a daily problem for Europe's nonwhites, Muslim or not), the Eurabia writers overemphasize culture and religion in explaining tensions and lay the blame solely on Muslims.
After the 2005 riots in French
banlieues, for example, independent
studies pointed to the same
factors: police violence, discrimination, unemployment, and a large youth population in the housing projects where the trouble erupted. But the Eurabia authors weren't impressed. Immigrants don't have much to complain about, they claim, so the riots were all about jihad, or, as Caldwell suggests in his recent book, "the Arab cause." "Even if they did not believe in Islam, they believed in Team Islam," he writes.
This is not, of course, to suggest that things are going well. The bleak vignettes and shocking tales about social tensions and violence linked to Islamism, like the killing of filmmaker Theo van Gogh, are indeed part of the picture. But the paradox of this genre is that it dwells on the heated controversies and tensions taking place in Europe while at the same time claiming that Europeans are in denial of their problems. And the emphasis on the anecdotal tends to obscure the fact that, from the fight over minarets in Switzerland to the debate over headscarves in France, current tensions are part of a normal and democratic process of adjustment, not the first signs of an impending catastrophe.
Beyond all the sloppy anecdotal evidence, the Eurabia literature relies on two major false assumptions. The first is demographic. The literature holds that Europe will be Islamic at the end of the century "at the very latest," with Muslim majorities in some European countries "in the foreseeable future," in the words of Bernard Lewis in his 2007 pamphlet,
"Europe and Islam." That's because "native populations are aging and fading and being supplanted remorselessly by a young Muslim demographic," Steyn explains in
America Alone (2006). "Europe will be semi-Islamic in its politico-cultural character within a generation."
If these books insist so much on the future, it is because current figures are unimpressive. According to the higher range of
estimates by the U.S. National Intelligence Council (NIC), there are already as many as 18 million Muslims in Western Europe, or 4.5 percent of the population. The percentage is even lower for the 27-country European Union as a whole. The future will certainly see an increase, but it's hard to imagine that Europe will even reach the 10 percent mark (except in some countries or cities). For one thing, as the same NIC study indicates and demographers agree, fertility
rates among Muslims are sharply
declining as children of immigrants gradually conform to prevailing social and economic norms. Nor is immigration still a major source of newly minted European Muslims. Only about 500,000 people a year come
legally to Europe from Muslim-majority countries, with an even smaller number coming illegally -- meaning that the annual influx is a fraction of a percent of the European population.
Finally, though the Eurabia books describe Europe as committing "slow motion suicide" (Thornton in
Decline and Fall), reality begs to differ -- and increasingly so. According to demographers, in 2008, fertility rates in France and Ireland were more than two children per woman, close to the U.S. (and replacement) level; in Britain and Sweden they were above 1.9. And though in the 1990s European countries set an all-time record for low fertility rates, figures are now rising in all EU states except Germany.
But isn't the uptick due to Muslims? Although migrant women, some of them Muslim, have a negligible impact on overall fertility rates, adding a maximum of 0.1 to any country's average, they contribute substantially to the total number of births, typically 10 to 20 percent in high immigration countries. That is the origin of Mark Steyn's overblown claim that Mohammed is "the most popular baby boy's name in much of the Western world." But it doesn't mean Europe will end up Islamicized.
Caldwell makes a point of highlighting the second and most crucial false assumption of this literature. The
British cover of his book asks, "Can Europe be the same with different people in it?" For most of these authors, Muslims are "different people," and Muslim identity is incompatible with anything else -- an assumption they share with Islamists.
But to large majorities of Europe's Muslims, Islam is neither an exclusive identity nor a marching order. Recent poll data from Gallup show that most European Muslims happily combine their national and religious identities, and a
2009 Harvard University working paper by Ronald Inglehart and Pippa Norris demonstrates that in the long term, the basic cultural values of Muslim migrants evolve to conform to the predominant culture of the European society in which they live.
More generally, average European Muslims worry first and foremost about bread-and-butter issues, and to the extent that they are religious, they want to be able to practice religion freely and in decent conditions, not to impose the caliphate. As a
2006 pan-European Pew Research Center study makes clear, "Muslims in Europe worry about their future, but their concern is more economic than religious or cultural," and though there are tensions, these are mostly due to racism, not some grandiose clash of cultures.
The most likely scenario for the next few decades -- increasing integration of Muslims accompanied by continued cultural tensions, occasional terrorist bombings, and differentiated outcomes in various countries -- is a conceptual impossibility for most Eurabia authors because for them Muslims can't really become Europeans. It is, however, already the reality. Maybe it is time they take notice.
http://www.foreignpolicy.com/article...rabian_follies
Eurabian Follies: The shoddy and just plain wrong genre that refuses to die.
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