The Alter-modernism Manifesto is:
POSTMODERNISM IS DEAD
A new modernity is emerging, reconfigured to an age of globalisation – understood in its economic, political and cultural aspects: an altermodern culture
Increased communication, travel and migration are affecting the way we live
Our daily lives consist of journeys in a chaotic and teeming universe
Multiculturalism and identity is being overtaken by creolisation: Artists are now starting from a globalised state of culture
This new universalism is based on translations, subtitling and generalised dubbing
Today’s art explores the bonds that text and image, time and space, weave between themselves
Artists are responding to a new globalised perception. They traverse a cultural landscape saturated with signs and create new pathways between multiple formats of expression and communication.
The Tate Triennial 2009 at Tate Britain presents a collective discussion around this premise that postmodernism is coming to an end, and we are experiencing the emergence of a global altermodernity.
Second, altermodern as translation and trajectory:
characterised by translation, unlike modernism of the twentieth century, which spoke the abstract language of the colonial West, and postmodernism, which encloses artistic phenomena in origins and identities [...] This evolution can be seen in the way works are made: a new type of form is appearing, the journey-form, made of lines drawn in time and space, materialising trajectories rather than destinations.
Thirdly, as post-historicist era:
Altermodernism can be defined as that moment when it became possible for us to produce something that made sense starting from an assumed heterochrony, that is, from a vision of human history as constituted of multiple temporalities, disdaining the nostalgia for the avant-garde and indeed for any kind of era - a positive vision of chaos and complexity.
Do any artists disagree?
Does any non-artist understand? (I would like a serious answer on this one).







