The Maxims of Good Discourse or the Wisdom of Ptahhotep PART1
the art of hearing, listening & excellent discourse
the plumb-line of the scales & the state of veneration
It's one of the most ancient texts of the human history, written by the Grand Vizier of Egypt Ptah-Hotep, Minister of the Pharaoh Djedkare-Isesis, V dinasty year 2450 BC.
plain text of the Maxims
notes on the translation
lexicon of special concepts
hieroglyphic text of the Maxims
The Maxims of Good Discourse, named after the 37 wisdom sayings which make out the bulk of this ancient text, is indeed a literary composition, i.e. a text which shows deliberate cognitive design beyond that of a record, list or collection of moral ideas. This ancient text (ca. 4400 years old), written by a man called "Ptahhotep" ("ptH-Htp"), has been labelled a "moral" text which does not "amount to a comprehensive moral code", nor are its precepts "strung together in any local order" (Lichtheim, 1975, vol 1, p.62) ...
Is the category "logical order" (in its Greek sense) applicable to the context of Ancient Egyptian thought, writing and verbalisation ? Besides morality, Ptahhotep also teaches, by example, anthropology, politics and the emancipation of everyman. Indeed, he touches "upon the most important aspects of human relations" (Lichtheim, 1975, vol 1, p.62). Moreover, the compositional backbone of this remarkable text, written as early as the late VIth Dynasty (ca.2200 BCE), is "discourse" and its dynamics, which is suggestive of the verbal philosophy of Memphis. Furthermore, an "ascetical" approach to divinity is present, for none of the gods (except for his Majesty the Pharaoh, Osiris, Maat and the "Followers of Horus") are mentioned by name. "Netjer" ("nTr", "god") is mentioned as one flagpole without determinative. The "netjeru" ("nTrw", the plural of "god" or "the gods") are invoked by that word only once (line 24), and are next referred to as "they".
This absence of constellational elements contrasts with the contemporay royal texts, such as the Unis-Texts and will remain typical for didactical literature as a whole. There we read that "gods" (like Pharaoh) "fly" and ordinary men "hide" (Sethe, 1908/1960, Utterance 302, § 459a, vol.1, p.236). Ptahhotep thus also offers the Old Kingdom solution to the soteriology of the non-royal officials and commoners. The teaching itself however, can be recommended to everybody, Pharaoh and non-royals alike.
In the expression "tjesu en medjet neferet" (line 33 - "Tsw n md.t nfr.t"), usually translated as "the maxims of good discourse", the word "tjes" ("Ts"), "maxim" can also mean "speech, utterance" or "phrase, sentence" (Faulkner, 1999, p.308). The determinative of a papyrus roll (writing and thinking) is added.
The word "nefer" ("nfr") has a complex field of semantical connotations, being of use in more than one context. It shares this characteristic with other important Egyptian words, such as "hearing", "truth", "justice", "becoming" etc. These "special" coordinated schemes, pre-concepts and concrete concepts define the fundamental semantics of the edifice of Egyptian philosophy was construed, i.e. notions & (pre-)concepts which elucidate the origin & the continuity of creation and humanity in it. Other meanings of "nefer" are "beautiful of appearence, kind of face, good, fine of quality, necessary, happy of condition" (Faulkner, 1999, p.131). So a broader context is suggested. The maxims describe a kind of discourse which produces a happy life. Although actions are important, proper speech is even more. An element of necessity is invoked, so that one may say that if a "good" discourse is made, the enduring effects will be generated "de opere operato". Morality (good or evil actions) is hence rooted in thought & speech (good or bad speech), and this in accord with the theology of Memphis).
In the mythical, neolithic mind, stability and order were sacred. Natural cycles manifested the enduring as part of creation. Cycles related to birth, growth, death & rebirth became the domain of the "great goddess" of the sacred (in Ancient Egypt, ca. 4000 BCE). The notion that the human skeleton represents the enduring within man is (still) part of Shamanism, the natural, unorganized, religious culture of the hunters & early settlers, so prominent in the Neolithic. Mummification takes the conservation of the ephemeral a step further, for here that which is meant to disappear (flesh & blood), is sustained, to allow for an everlasting existence of the personality ("Ka") and the soul ("Ba") with its mummy, i.e. a "second birth" in the kingdom of Osiris. To challenge the process of decay was one of the essential features of funerary preoccupations, indeed, characteristic of the Ancient Egyptian mentality as a whole. The mummified viscera prove the point.
The message of Ptahhotep seeks to transmit that which endures in the realm of the heart, the abode of consciousness, free will, conscience, thought and speech (in short, the "mind"). The maxims exemplify Maat. By truly understanding each "example", the "son" (pupil, disciple), who heard and listened, acquires rectitude of mind, affect and action, the proper balance and steering capacities to navigate the heart in such a way that efficient and luminous results ensue and evil, injustice and irrationality flee. As a true Memphite, Ptahhotep puts all his trust in the cognitive capacities, especially in speech. The wise acquires just speech. The hierarchy of justice typical for the Old Kingdom is of course presupposed :
Besides Pharaoh, nobody addressed the spirits (of the gods & goddesses who abide in the sky) directly. He alone mediated between heaven and earth because he was the only god on earth. In particular, his voice-offerings were the performance of rectitude, so that through them Pharaoh returned Maat to its creator, his father Re and by doing so guaranteed an order which could at any time be disrupted. He (and his representatives) were the only one able to do so. Pharaoh embodied Egypt and the Nile embodied Egypt. This grand river, flowing from South to North, yearly fed Egypt by inundating the Two Lands. The circulation of goods along it, had been essential in the process of unification of the land, and the establishment in the "House of Ptah" at Memphis ("Men-nefer") of the "Balance of the Two Lands", as the Memphis Theology claims :
"Then Heru stood over the land. He is the uniter of this land, proclaimed in the great name : Tanen, South-of-his-Wall, lord of eternity. Then sprouted (14c) the two Great in Magic upon his head. He is Heru who arose as king of Upper and Lower Egypt, who united the Two Lands in the Nome of the (White) Wall, the place in which the Two Lands were united. (15c) Reed (heraldic plant for Upper Egypt) and papyrus (heraldic plant for Lower Egypt) were placed on the double door of the House of Ptah. That means : Heru and Seth, pacified and united. They fraternized so as to cease quarreling (16c) wherever they may be, being united in the House of Ptah, the 'Balance of the Two Lands' in which Upper and Lower Egypt had been weighed."
Memphis Theology : lines 13c - 16c
Endurance was also the motivation behind inscribing the divine words in stone (another activity ruled by Ptah). To writing was attributed the capacity to abolish the temporal limitations of speech and to extend the latter infinitely. The texts were inscribed on the walls of the tomb, the sarcophagus (coffin) and the mummy (in the form of amulets & talismans). The deceased was not supposed to "read" these words, but he or she remained in the vincinity of their sacramental "sekhem" (power), eternalized through writing & ritual.
Old Kingdom religion envisaged two ways to explain the world. Either through self-creation or as a product of divine cognition & speech.
The Heliopolitans (Heliopolis, "Iunu") taught that order (creation) was self-caused ("kheper" - "xpr") in the midst of undifferentiated chaos, darkness and oblivion (the "Nun", or primordial water, a cultless deity). Chaos continued to lurk in the darkness of the deep, and might be encountered during sleep (bad dreams) or in the netherworld (when born again like Osiris). Its most horrible manifestation in creation was the annihilation of a person's name ("ren"), which might happen to the deceased if judgement was negative and the person was not justified (its heart eaten by the monsterous devouress of the dead or "am mwt", which had the head and the jaws of a crocodile, the hind quaters of a hippopotamus and the middle part of a lion).
In the beginning, creation unfolded out of a point of absolute singularity. This alternation-point ("Atum", "tm", suggestive of completion, totality) was conceived by the Heliopolitans (the dominant royal theology of the Old Kingdom) as "causa sui" and fugal. Atum created himself by :wub:, taking his own seed into his mouth and spitting out (sneezing) the constituents of creation (the nine basic elements of creation, Atum -the monadic principle- included). Together with Pharaoh (the 10th element or pyramideon), the sacred decad of order was realized, both in the sky (the Ennead) as on earth (the Residence of Pharaoh).
This primordial creative activity was imagined to "happen" in a realm which existed in-between pre-creation and creation, situated as the "first time", the "beginning" ("zep tepy" - "zp tpii"), absolute time (or no-time). Creation was the ejection (cf. Big Bang) out of this point of singularity (Atum and his mythical deed of self-impregnation). This Crown of creation permanently oscillated between the order of creation and the mythical "first time". This monad simultaneously split into two fundamental creative principles (space -Shu- and time -Tefnut-), out of which the multitudes orderly emerged.
The Memphites taught that Ptah was the creator of the universe. He was the creator of chaos and of Atum. In their theology, the whole Heliopolitan process happens in the "form" or "image" of events in the heart and on the tongue of Ptah. "Atum" is a creative verb, image, scheme or model. Its functionality (and that of other important deities such as Horus and Thoth) is not denied, but seen as an outward manifestation (theophany) of the all-encompassing cognitive activity of the speaking Ptah (cf. the creative verb). This focus on manifestation through speech can also be found in the royal funerary texts (largely Heliopolitan) and in "Khemenu" (Hermopolis, the city of Thoth & magic), were the sacred Ibis dropped the creative word in the primordial ocean, therewith creating the universe.
These cosmogonic speculations, essential to understand the broader context of any discourse on wisdom, belong to the order of creation (the deities) and to the order of Egypt (Pharaoh). Ptahhotep's work, adhering to the Memphite accent on discourse, aims to propose a "way of life" valid for everybody. Although the base of the pyramid offers no panorama, its fundamental role is unmistaken, for it carries everything above it. What can be said of the situation of everybody ? Ptahhotep does not deny the existence of higher types of rectitudes. The deities ("god" and "the gods") and Pharaoh are mentioned by name, but are not aimed at in the maxims, although the proper circulation of Maat depends on them. But what can be done by someone with no divine soul ("Ba") ? How far does wisdom alone take such a person ?
The Weighing Scene
Papyrus of Ani - XIXth Dynasty
One of the motivations behind these studies is the clarification of the distinction between Egyptian and Greek philosophy, between ante-rationality (and its irrational foundation in mythical thought) and rationality. Indeed, Greek philosophy emerged as a culture of rational debate at the heart of the "polis", the city-state. The conflicts between systems of thought were much like political differences : they needed to be solved in public through argument & dialogue, and logic and/or rhetorics were the means to realize this. By realizing that pre-Greek, ante-rational speculation existed and by investigating these philosophical strands, one may disentangle the polemic nature of Greek philosophy from general philosophy, which is the persuit of wisdom by all possible means (i.e. it is not exclusively rational, although never irrational, i.e. purely mythical).
In Egypt's Old Kingdom, the wisdom of the didactical texts dealt with the continuity of truth and justice. These wisdom texts can and should be distinguished from schemata, pre-concepts & concepts related to natural philosophy (the origin of the world - cosmogony, which mainly flourished in the New Kingdom - cf. Amun-Re & the Aten) and verbal philosophy (the idea that words are creative). Although Marxist, atheist and humanist philosophers claimed that Ancient Egypt only produced a "cosmic" moral code unable to separate "is" from "ought", the difference between the natural (descriptive - how things are) and moral (normative - how thing should be) order was indeed part of Ancient Egyptian philosophy (cf. infra). That their moral theory was in accord with their cosmology, does not reduce the Ancient Egyptian sense of justice to their ontological scheme of how things are. It is thanks to the hard work of post-war egyptologists of all disciplines and nationalities that philosophers today may try to understand the cognitive, philosophical, spiritual, religious & theological implications of the Ancient Egyptian heritage and its profound, complex influence on all cultures of the Mediterranean.
Hence, the words "wisdom" and "philosophy", although applicable in the general sense as a conceptualized, practical investigation of the being of creation and man, do not have dialogal & polemic associations. And of course, pre-Greek philosophies never worked with the "tabula rasa" principle, neither with the Razor of Ockham, but rather with a multiplicity (complementarity) of approaches (as evidenced by the different cosmogonies). Different answers were as it were put on top of each other. Wisdom was tradition embedded in context. This absence of debate and lively discussions does not imply the absence of philosophy, i.e. the quest for a comprehensive understanding (within the limitations of the given modes of cognition) of the universe and the situation of humanity, as shown by the Maxims of Good Discourse. That proto-rational thought is not a priori devoid of philosophical inclinations, may well a discovery which balances the Hellenocentric approach of wisdom, so fashionable in the West since the Renaissance.
In what follows, Ptahhotep and his text are highlighted. My translation was inspired by the work of Dévaud (1916), Zába (1956), Lichtheim (1975), Lalouette (1984), Brunner (1991) & Jacq (1993) and distances itself from an approach which deviates too much from the original text, such as the questionable translation of Laffont (1979), or which limits itself to the translation of only a few maxims.








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