Excuse me for going of on a tangent here, but it reminds me of some of the beautiful high-end soft kits I've seen.
Frontal of Epiphany, ~mid 15th century. Silk, velvet, gold, linen, silver, etc.
http://i.imgur.com/4sk8ccs.png?1
Dalmatic, the set of liturgical vestments of Canon Bernat Despujol. 1400/1500. Mainly gold, silver and red silk.
http://i.imgur.com/B468IOl.png?1
Frontal of the Annunciation. 1400/1500. Damask, silk, gold, taffeta, silver and sequins.
http://i.imgur.com/rhx7zBg.png?1
Here is a reproduction of Herjolfsnes G63 gown made by a historical reenactor by the name of Ian Laspina. Slight alteration was to add baggy sleves, which also were used in conjunction with military armour of the time. Take note that this was most notable in HRE, as seen in a few examples
here, but it was used all over Europe. Video of this particular gown is
here. The textile is reproduced from a 14th century textile from Gdansk, thanks to
Sartor ...historie itá na míru.
http://i.imgur.com/D2IPnQl.jpg?1 http://i.imgur.com/KBZgDo4.jpg?1
Another reproduction of the same period. Beautiful attention to detail and it reflects the high end of fabric used.
http://i.imgur.com/WxJtnWd.jpg?1
Predella, church of Santa Maria, Rubió. 1350/1375. As I zoom in, the attention to artistic detail on Jesus cloth, and all these fine soft kits that I've shown, mirror what you managed to do with that breast plate and I adore it.
Unfortunately, I think Capwell noted, most armour of with this style have been desecrated by Victorian collectors, who wanted their collection to show mirrors, rather than original paint... And so they polished it away. It makes me sad.
http://i.imgur.com/8h1YMHU.png?1