We already know a bit about Lecter from the books and films – or at least we think we do. Did you go back and start there for your character, or did you throw that all away?
It was a combination. The basis of what we were doing was the script. We’re dealing with him in a different situation; he’s not captured, he’s out there in real life with real people, meaning that he has to behave like a person. We have to humanize him. Will and Jack haven’t seen the films. So for them, I’m just an interesting character who apparently knows a lot about psychiatry. But once we began, I started reading the books as well, just for fun and to see if there was any inspiration we could add. I didn’t find something specific, but it was nice to see what it was.
Did you have any reservations about playing a character so iconic, especially because of Hopkins’ version?
Lot of reservations. I read the script and I liked it, but I really had to hear the pitch, which took Bryan [Fuller] a couple of hours — he was pitching through season 28 or something! Bryan is a fantastic, energetic man, and brilliant brilliant brain, and I realized, “Yeah, we might be able to do something different because Hannibal can’t play all his cards as he can in the prison.” He can do whatever he wants [there] because they know who he is. But that’s not the case here. This is a man who has to make friends. He has to make people feel comfortable around him, and so that was a different angle to attack the character. So my reluctance kind of slowly went away, and I said to myself, “Hey, Hamlet has been played so many times — to perfection — but that shouldn’t stop anyone else from doing something else with Hamlet.”
Did you incorporate traces of Hopkins’ Lecter or did you intentionally stay away?
I would say neither. We cannot do what Hopkins was doing. I can’t stand and do the tongue thing. I can’t do that. I have to be as honest as possible when I’m with Jack and with Will. In the private moments, on the other hand, that’s a different thing. Then I can be who I am. And we will see that… but there will be no winking at the audience. They know who I am, but the other characters don’t.