I think we all already know the work of this guy:
I like those drawings, I don't know exactly why but I like them, and this is the point which tortured and harassed my mind for a long time: why do I love so much those drawings?
Yes because the drawings in themselves are not perfect: proportions, graphic sign, perspective, anatomy of bodies and faces, hybrid tecnique and so on, all is pretty brutal in them, without any offense for the author, we could even say that the hand which has drawn those images is in some way a barbaric hand, so, why are those works so attractive for me? Why do I feel them perfectly suited to show the apparence of the Late Roman soldiers? Why am I so enchanted by those drawings? For all these last years, I didn't find any answer to these simple questions, so that I was almost sure they were one of those cases in which you have to face and accept
"the inexplicable", i.e.
"the mystery", in art.
But today, observing once again the brutally carved faces of the Tetrarchs, still gazing at us from a corner stone of St. Mark's Church in Venice, the truth has struck me like a bolt of a Roman siege ballista: the wonderful drawings we love so much, actually are of the same style of the Tetrarchs!
Look at the inexpressive fixture of the gaze, at the harsh hardness of the features, the powerful simplified mass of the bodies, look at the simple and firm posture of the characters, the simplified gestures, powerful and evocative, in the drawings and in the sculptures, they are the same!! They belong to the same space/time, they are not like III century works, actually they are III century works! They are brutal, strong and extremely expressive as the century to which they belong!
Actually in art the real name of this style is Expressionism, just because what really counts in this case, it's not the quality of the language itself, but its capacity of expressing powerful contents and the deep feelings of the author and of the public watching the work! Understood? Those drawings are perfect because they are perfect for the subject, they fully adhere to the subject, they depict it so perfectly, that it seems they have been made by the same hand, in the same time and in the same space. We are forced to feel this similarity, better: this identity, so, we watch those drawings in the same way we watch the Tetrarchs: almost mesmerized by their incredible antiquity and by their intense expressionism, that is, by their incredible evocative strenght! This is the truth.
So, to celebrate my discovery, directly from
Pinterest, a small selection of masterpieces from this guy, this autentically great Artist:
If this Artist really comes from the East of Europe, this confirms my convinction about the absolute artistic superiority of the Eastern artists, compared to the aphasic flabbiness of our contemporary artistic production. In any Modding section of TWC you can find many examples confirming this truth.
Side note: please don't ask me why it took so much time to me realizing this truth about those wonderful drawings! Actually I love everything that is slow in life: I love slow food, I love slow drinking, I love slow reading, I love slow drawing, I love slow painting, I love slow writing, I love slow sex, I love slow walking, I love slow movies, I love slow games, etc., etc., so, it's evident that I also love being slow in understanding!