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Thread: Armour Organization!

  1. #1

    Default Armour Organization!

    Here is a summary of the Japanese Armour terms and so should be used in describing units ....

    Informations taken by this site ....

    http://www.sengokudaimyo.com/katchu/katchu.html

    Anthony J. Bryant

    Last edited by PROMETHEUS ts; October 13, 2005 at 03:50 PM.

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  2. #2

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    The DO

    The last half of the sixteenth century is often called the Sengoku Jidai, or Age of Battles. During this period of nearly incessant warfare, various daimyō vied for power and domination over their neighbors and rivals. Some even sought the ultimate prize of becoming the tenkabito, or ruler of the land. Only two people during this age were able to achieve something close to that: Oda Nobunaga (1534–1582) and Toyotomi Hideyoshi (1536–1598).

    These five decades saw more developments, innovations, and refinements with armour than all the previous five centuries. Armour underwent a sort of entropy: from fully-laced scales, to sparse-laced scales, to sparse-laced lames, to riveted lames, to solid plates. Each of these steps meant the armours were cheaper and quicker to build than the models that came before them.

    One of the greatest influences on armour in this period was the matchlock arquebus, called in Japanese teppō, tanegashima, or hinawa-jū (the first term was probably the most frequently met with in Period.) This necessitated heavier, shot-proof armours for those who could afford them. To this end, solid cuirasses of heavy, thick plates appeared on the scene. Many surviving examples have multiple proof marks indicative of the armourer's skill.
    Three armours typical of the sengoku period
    Three armours of the late 16th century. All are ni-mai dō (clamshell armours).


    It has been suggested by some armour historians that the solidly riveted clamshell cuirasses — and cuirasses of single-plate breast-and-back construction -- were inspired by the European armours. Be that as it may, it was nevertheless the next logical step in the development of Japanese armour.

    Armours of European origin and those modeled on European armours became popular status symbols. These armours were, of course, highly modified to suit Japanese tastes until virtually only the cuirass and helmet remained. Even these were“Japanified.” To the cuirass was added Japanese-style skirtplates, and the helmet was turned back-to-front and a lamellar nape guard was added.

    Samurai had a great many styles to choose from when it came to arm and leg armour. This period, more than any other, provided true variety, both in terms of actual style and in terms of decoration. For changes in the cuirass, see the chapter“The Dō.”



    More and more troops on the field in armour resulted in greater need to identify friend and foe. In the latter half of the century, the advent of a banner worn on the back served to help identify troops in battle. This banner was called a sashimono. Its pole went through a holder between the shoulder blades and was held by a receptacle at the small of the back. Other methods included painting the warrior's crest -- or the lord's crest -- on the center of the dō. This was common with retainer armours, and only very rarely met with on armours worn by men of rank. Men of rank were usually distinguished by the ornate and exotic ways they decorated or constructed their helmets. This is so much part of Japanese history that often in films these days all that need be done is to show a helmet and the owner is identified.




    My suiggested Do Styles for the period :


    in time order....


    for early troops

    Haramaki dō

    http://www.sengokudaimyo.com/katchu/.../haramBush.jpg


    for later troops

    low ranks


    Tatami Dō

    http://www.sengokudaimyo.com/katchu/...s/tatamido.jpg

    high ranks



    Do Maru

    http://www.sengokudaimyo.com/katchu/...phs/domaru.jpg

    mogami dō

    http://www.sengokudaimyo.com/katchu/...s/mogamido.jpg

    hotoke dō

    http://www.sengokudaimyo.com/katchu/...s/hotokedo.jpg

    Nuinobe Dō

    http://www.sengokudaimyo.com/katchu/...hs/nuinobe.jpg

    okegawa dō


    http://www.sengokudaimyo.com/katchu/...gawaretain.jpg
    Last edited by PROMETHEUS ts; October 13, 2005 at 03:48 PM.

    ------CONAN TRAILER--------
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    I S S G A R D
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    Creator of Res Gestae
    Original Creator of severall add ons on RTW from grass to textures and Roman Legions
    Oblivion Modder- DUNE creator
    Fallout 3 Modder
    2005-2006 Best modder , skinner , modeler awards winner.
    actually modding skyrim [/SIZE]

  3. #3

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    they had some cool looking armor back then

  4. #4

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    Quote Originally Posted by Trega
    they had some cool looking armor back then
    Don't you mean cool and effective/

  5. #5
    Wild Bill Kelso's Avatar Protist Slayer
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    I made a few scans from and armour book I got from my library:

    http://photobucket.com/albums/y263/Champon/armour/
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  6. #6

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    Nice scans Wild Bill, I especially enjoyed pic. 30, thats 3 fine examples of the very upper layer of edo era armor-craft. :laughing: Be amused but not inspired gentlemen. :wink:

  7. #7

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    Here is a picture of armours worn in the movie "The Last Samurai".... maybe it's not accurate, but they look pretty good.

    http://lastsamurai.warnerbros.com/wa...10&iWidth=1280

    What about a helmet with Horns? (Maybe used for generals?)

    Last edited by Asean; March 26, 2006 at 10:47 PM.

  8. #8

    Default Re: Armour Organization!

    Speaking of the movie, the civil war-ish soldiers tremble in fear before the charge of the samurai cavalry. Perhaps the samurai armor was also designed to intimidate the enemy.

  9. #9

    Default Re: Armour Organization!

    Well that is true, those who could afford it put money into giving their armour spectacular and fearsome designs. Monstrous face masks(Menpō) and spectacular helmet designs(Kawari kabuto ). Some of the actual body armour(dõ) was also shaped out to look anything from horrendous to awe-inspiring. The starving monk belly(Niō-dō) is a common example. All these touches likely assisted in inspiring fear and admiration from common men. If not, it was still a mean to advertise the wearers stature, and on the battlefield, recognition of leaders was important.

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