Transmitted direct From the Study of
Jean=A=Luc- on the USS Enterprize....
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Did somebody order a TotW review?
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Can't believe this. Finally I decide to write it and TWC crashes for an entire afternoon and the better part of evening. Don't know if this is what you had in mind but by banging my finger tips against the keyboard I have managed to produce a body of text that closely resembles a review of the last TotW's submissions.
I'm open to both praise and criticism.
So without further ado:
This week's TotW is loosely based on J.R.R. Tolkien's Middle Earth, more specifically the Third Age and Gondor's defensive war against the forces of Mordor. However the epic deeds, valiant heroes and shining glory that we might expect from such a story basis are mostly absent from this week's five submissions. Instead we are treated to themes of failure, aloneness, tension, foolishness and despondency with a few sprinkles of hope and camaraderie on the surface of this dark chocolate story cake.
The first two submissions by Mega Tortas and Ariovistus Maximus are simialar as both deal with present or foreboding failure. The unrealized ambitions of late adulthood versus the foolishness and naivette of youth. In their own way each protagonist is doomed. While Mega's story is more visceral, more explicit in its portrayal of physical and emotional pain, Ariovistus uses a subtler approach with an almost child-like character "playing" out in the woods but whose impending fate, signaled by the intensifying rain fall, and the realizations that will come with it are no less tragic. Both stories seem out of place in Middle-Earth, uncharacteristic of such a high fantasy setting but therein lies the appeal.
The middle tale, as I shall call it, by Nazgul Killer is an E.A. Poe-esque poetic prose featuring such gothic elements as cold ominous weather, anxiety, loud foreboding heartbeats, monstrous visages, confusion of the senses and a (para)normal deus ex machina, all contributing to a sense of surrealness whether it's realistically justified or not. Due to its composition and style the middle tale more resembles a story that men of Gondor might tell their children or each other, around a campfire at night than a realistic recounting of an event giving it that "a play within the play" or rather fiction within fiction effect even though there is no "play" within which this one is actually set.
Leaving the middle tale and coming up on the other side we reach the final pair by Saint Nicholas and Astaroth old bean. These two works are very similar in their title and basic premise yet stand in contrast to one another. Saint Nicholas shows us that valiant men may still die inglorious deaths, that not every last stand is a heroic one and that true heroes are indeed mortal people unprotected by such things as "plot armour" or divine intervention. The hope of men may yet be swept away by tragedy. Astaroth old bean provides us with an optimistic mirror image of strengthened resolve and rising hope in face of deadly danger. The proud spirit of man that overcomes any hardship just as David slays Goliath. This last entry is closest to Middle Earth's typical epic theme and it ends this week's submissions on a positive note. Whatever our personal reality may be these two stories remind us that the proverbial coin of life indeed has two sides.